William Daniels is best known for his meticulous trompe l’oeil works depicting well known art historical paintings. He creates maquettes of the source paintings out of simple materials such as paper, cardboard or silver foil which then serve as models for highly detailed facsimiles in oil paint. Recognizable, but pared down and muted in tone, the small-scale paintings are at once a still-life and a rendering of the original artwork, calling into question issues of representation, documentation and authenticity.