Alison Elizabeth Taylor is known for creating biting social critiques executed through the exquisite craft of marquetry, or wood veneer inlay. Taylor, who is a recent MFA graduate of Columbia University School of Art, creates narratives that offer insight into America by investigating the distractions of contemporary culture such as sex, video games and luxury SUVs. The artist’s combination of marquetry, often associated with luxury and the reign of Louis XIV, and the ideologies of American life, further underscores the opulence of our time.
Wednesday, September 7, 2011
This is another recent painting ...again a juxtaposition of three scenes from the film Hanna (2011)
...entitled 2.09-3.04. Painted in acrylic and oils on panel.
...entitled 2.09-3.04. Painted in acrylic and oils on panel.
Tuesday, September 6, 2011
Mamma Andersson
Mamma Andersson's paintings depict domestic interiors, lush landscapes, and genre scenes just welcoming enough to allow their otherworldly air to take hold. Her work is imbued with beguiling narrative zest and frequent references to the stage and everyday settings as well as to works by other artists. Both familiar and mysterious, most of Andersson's works include images of recognizable paintings by other artists as peculiarly placed accessories.
Sunday, September 4, 2011
Liz Miller
Liz Millers mixed media installations and drawings recontextualize simplified shapes, signs and symbols from disparate historical and contemporary imagery to create abstract fictions. Existing forms from a multitude of sources are co-opted, altered, and spliced to adopt hybrid identities. Through the process of appropriation and subsequent recombination, shapes lose their real-world connotations and take on fictitious roles. Forged relationships between benign and malignant forms confuse the original implications of each while revealing the precariousness of perception and how easily it can be tampered with. Recent projects pit Baroque and Gothic pattern and ornament against forms derived from armor and weaponry. Seemingly oppositional pairings create duplicitous environments where conflicting messages are conveyed. The use of felt, foam, and other tactile materials further complicates questions of source, masking the identity of forms while allowing them to inhabit both sculptural and two-dimensional space.
Thursday, September 1, 2011
Studio
Work in the studio is slooooooow...but getting there....here is a painting i have been working on...this is a juxtaposition of three scenes from the film Three Days of the Condor (1975)
...entitled 13.42-13.44. Depicted In these scenes.... a CIA researcher hears all his co-workers being shot dead from inside the restroom moments before being killed himself. Painted in acrylic and oils on panel.
...entitled 13.42-13.44. Depicted In these scenes.... a CIA researcher hears all his co-workers being shot dead from inside the restroom moments before being killed himself. Painted in acrylic and oils on panel.
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